The Session #72: How we love beer

Not why, what, where or when but how we love beer.

the session beer blogging fridayHow do I love thee*? Let me count the ways
.

I love thy glass through its depth and breadth and height
And gentle beads of condensation when in need of a ‘light’
For the lack of bitterness and its ideal Grace.
I love thee to the level of everyday’s
Most quiet pint o’ Mild, lit by sun or candlelight.
I love thee freely, tho’ a sour lambic may make me ail
I love thee purely, bless the Union and its fine Pale Ale.
I love thee with the passion put to use
In matching with curry, chocolate or cheese.
I love thee with a love I seemed to lose
When I crossed to the dark side – I love thee with the breath,
Smiles, tears, of all my adult life! – and, if God choose,
I shall but love thy biney hoppiness after death.

*With most profuse apologies to Elisabeth Barrett Browning. She deserved better.

©Beer Tinted Spectacles, January 2013

Am I missing something?

This Saturday morning just gone, my copy of ‘Beer’ dropped on to the door mat, and due to rigourously enforced exclusion zones, didn’t get shredded by the dog.  I like ‘Beer’, and clearly others do too – Pete Brown finally joined CAMRA last year because it’s the only decent magazine available on the topic on these shores.

But it was ‘What’s Brewing’ tthat accompanied it that struck me most.  ‘Triumphalism’ is too strong – but it’s not far off.  The front page: ‘Growing Cask Ale Sales Inspire Confidence’; page 5, an ad for SIBA Beer X, ‘British beer is thriving as never before’… it’s a vein that’s been showing through the skin more and more in recent months.  There’s a warm glow emanating off brewers and cask drinkers up and down the line.

It’s like Railway Mania all over again.  Look at the facts, if you will. One: the UK economy has been flat lining –  going into the sixth consecutive year. Two: beer sales are down. Hellooo? Anyone here me? Down. The on trade was down 5% in the run up to Christmas and it’s accelerating as the annual figure is 3%.  Three: it’s because we’re all drinking at home, right?  Wrong.  The off trade was down 7.5% in the last 3 months of 2012 and almost 5% in the full year. Four: in the last 10 years, the UK beer market has declined by, wait for it, 23%.  Twenty Three Per Cent.  Five: there are now over 1000 craft brewers in the UK. Six: yet cask beer remains in decline by 2.5% (better in the run up to Christmas 2012 – only down 1.5%)

I draw three conclusions from this:

a)    Now is not the time to be opening a new brewery if you have any ambition of scale.  The honeymoon but will be lovely but give it a year or two and you’ll be struggling for sales.

b)    Behaviour has changed.  Beer is no longer recession proof because it’s no longer the default thing we do when we socialise.  Breweries need to face the new – repertoire – reality.

c)     I intend to enjoy as many interesting beers up and down the land before the next round of consolidation.

So am I?  Am I missing something?

*Thanks to Chris at Ashdale Business Consulting for the up to date figures – forgive me Chris if I have used them rather imprecisely, I know what you’re like for your decimal points (www.ashdale-consulting.com)

©Beer Tinted Spectacles, January 2013

The pub. Where next?

So Vince Cable is finally going to do something.  Don’t get me wrong, I quite like the man.   Through prescient knowledge or serendipity, he was one of the few voices of sense as the banking crisis hit and the world plunged into what seems to be a generational recession.  And his Ballroom isn’t bad. But he seems to be a provoker – someone who critiques, and does so ably, but seems less comfortable when it comes to having to make decisions.  Years in opposition, perhaps.

But now he is going to clamp down on some of the nefarious practises of the pub cos.  And about time too.  I once sat in a pub in the Lake District chatting to a two brothers about their respective businesses.  One was a pub manager.  He could survive, just, complaining that whilst he could buy the brewery’s beer from a wholesaler cheaper, overall he didn’t get a bad deal on rent and the brewery looked after the pub.  Not so for the Licensee (or Lessee) – he had a pub owned by one of the big PubCos and was on his knees.  He broke his back building the business up and his reward for increasing turnover? Higher rent – significantly higher rent.  His beer was even more expensive that the Managed Pub and the PubCo had installed a system to stop him from ‘buying out’ (buying from suppliers other than the PubCo).  On some bottled brands, they even had PubCo specific labels so the local management could spot if he’d bought his Bud from Tesco or whereever.  The same in my village – still blessed with 5 pubs but one, the jewel in the crown until recently stood empty and decaying precisely because the entrepreneurial couple who had built it up got screwed over by the pub company with ridiculous rent rises (and in fact, in recent weeks, a second one, from a different company stands empty for a similar reason).

Look, Beer Tinted isn’t Rose Tinted about this.  My firm belief is that a smaller pub ‘universe’ in the UK will be a good thing.  We can’t ignore the fact that the way we spend our lives and social time is changing.  We can’t ignore the fact that whilst 100 years ago, people wanted to escape their homes, today they don’t.  Today, in the main, our houses are comfy, warm, have entertainment, feature indoor toilets and running water. The night soil man no longer has to call.  We take it for granted how much we have moved on in a staggeringly short time.

Yet it doesn’t mean that our pubs deserve the behaviour of many of the PubCos. In fact, most are not pub co’s at all. They’re property companies and when the balloon was inflating they were raking it in, but now it’s popped.  The sure knowledge that they could run a crap pub but still pay a healthy dividend has gone too – thank goodness. The b’stards now need to work for their money and I for one only hope that Mr Cable’s reforms enshrine the law in favour of the free house.  Of course, just like the Beer Orders, there will be unintended consequences for the intellectually swift and action orientated business type, but at least we’ll get Pub Companies and Publicans who care about their Public.

© Beer Tinted Spectacles, January 2013

Blessed are the cheesemakers

Just like the Black Country has pork scratching and Lancashire has Black Pudding some places are defined by certain foods – in a curious circularity, as originally the place had defined the food.  Pasties – Cornwall;  Barm Cakes – Manchester;  Stotties – the great North; Eel Pie – Larndon.  And there was my idle mind granting these British foods a divine uniqueness – quaint old Blighty, only here do we have these regional peculiarities.  Nonsense of course; a point driven home to me when an entrepreneurial ex colleague sent me some beers that his company is bringing in from the U.S…  Wisconsin in fact.

Ah, Wisconsin.  As a beer lover a source of perpetual confusion.  Isn’t it the beer capital of the US (by volume brewed)?  In the great city of Milwaukee?  No, hang on, that’s Minneapolis, and that’s Minnesota.  Nonetheless, Wisconsin is a food state.  In fact, for many US citizens it’s the food state, certainly in terms of capacity produced.   So I engaged in some primary research, and asked my friend Dan now resident back in the US to give me his top of mind associations when I say ‘Wisconsin’.   Of 26 associations he came up with 3 of the first 5 were food related: ‘Curds’, ‘Black and White cows’ and ‘Bratwurst’.  And there, down at number 7 was ‘beer’.  Which about sums it up: the holy trinity of food stuffs; a perfect blend which would sustain you, and entertain you, through a nuclear war, assuming the electricity doesn’t fail and the fridge doesn’t pack in.

It turns out that first and foremost, Wisconsin is a dairy state – so much for the degree in geography.  Milwaukee vs Minneapolis – an easy mistake I reckon.  But beer more than features –and not that long ago it featured big time in the economic make up of this state.  Because for a while, a beer that came out of Wisconsin was one of the US’s biggest beer brands* – Schlitz.  But that’s not what Mark’s importing, oh no.  No, travel north from Milwaukee to Green Bay, and then head due west to the small city of Stevens Point – and there you’ll find the Point Brewery (http://www.pointbeer.co.uk/).    A city, which, if the labels are in any way accurate, is where the Coneheads settled after the fame and success of the 1993 movie (http://www.imdb.com/title/tt0106598/ …in case you think I’m making this up too).

Mark isn’t doing things by halves.  Why import one beer, when you can import five?  And that was the rather pleasing late Christmas present that arrived on my doorstep just after the New Year.  It’s an interesting range: ‘standards’, if you will – an IPA, a Pale Ale and a Belgian White, and two more unusual ones – an Amber Lager, and a Black Ale.  The quality of the beers is high – of course it is, the quality of US craft beers is so high that the poor performers get rooted out, but some stand out more than others.   Possibly the most disappointing – versus expectation – were the Amber Lager and the Belgian White.  The former because it is the most lacking – pleasant enough, more challenging undoubtedly than the lagers we typically drink here, but just not in the same ball park as the others in the range.  The Belgian White, a good, well balanced white beer, but lacking in uumph – perhaps, too delicate, a little too refined compared with its peers.

The Black Ale though is worth seeking out.  A great structure and a clean, sail-white head.  Whilst you can tell there’s roasted malts in there, the drinkability is retained.  All too often in Black beers of all denominations, just a touch too most roast can tip the balanced into ‘charred’. Not here. All I would want is a more complex, sustained after taste – but I’m being picky.

The IPA, a deep burnished bronze has an alluring, almost Seville Orange haze to it near the edge of the glass, and a clean, strong head. Clearly a relative of the Pale Ale, and to be sure, just like Jamie is eclipsed by Andy Murray, so too here.  This Pale Ale is a cracker. To my eye, the right colour, a back lit copper, like a buffed up penny and a come-hither hop aroma, that calls you as soon as the cap is twisted off and continues through the pour.  You can tell it’s Cascade hops a mile off, but unlike some US Pale Ales, not overplayed here – aroma, structure and a lingering aftertaste which beckons you for a second.  Which, alas, I didn’t have.

Mark and his team at American Craft Beer Co have just started out so the beers are only in limited stockists at the moment.  If you’re in Birmingham, check out the Post Office Vaults, they’re on sale there and will hopefully be more widely available soon – watch this space.

Which of course leads me to the food recommendation – what do I pair that Pale Ale with?  A spicy meal perhaps – a jalfrezi or Thai Green Curry?  Maybe some great English sausages – a richly herbed Cumberland?  Do you know what, I think I’ll just go for some cheese – semi hard, West Country Cheddar.  Not sure why.

IMG_2495

*I sold Schlitz in the UK in the early ‘90s.  I’m sure I recollect part of the selling story was that it was once the largest brewer in the World, but I can’t say for certain.

©Beer Tinted Spectacles, 2013

Leftovers

As sure as Autumn passing to Winter; as sure as repeats of TheTwo Ronnies or Morecambe and Wise, as sure in fact as Eggnogs is Eggnogs, Christmas is here again, and with it the routines of our Festive Period.  Anticipation; excitement (and not just for the children); lie-ins (well, a bit); the decorations gradually getting more irritating by the day; so many presents that they bring on a spurt of generosity of spirit that has you giving to the Charity appeals on the TV; adverts for DFS, holiday cottage brochures landing on your door mat, copious amounts of food, and food that’s far too rich at that, and with it, like a sinister shadow of gluttony, leftovers.

Cooking in the Tinted household is never easy.  A lifelong carnivore partnered to a virtually lifelong vegetarian; an elder child with a penchant to nibble on the cooked carcass of dead flesh once carved, whilst the other revolted by it.  This means more leftovers, as multiple meals must be cooked. Then there’s the visitors, before and after the Day itself, and often long after the ‘safe leftover period’ (SLP), that critical timeframe after which you know in your Heart that you shouldn’t really give your them the remains of the Ham or the salmon or the Roasties, and you’re not convinced that cold white sauce goes that well with mini sausage rolls anyway.

This year, I decided to deal with leftovers of a different kind.  The strays; the bottles that, for whatever reason, got away, escaped consumption. For some, this is an unknown phenomenon. Alas, this is not the case for me.  Call it fashion, call it tastes, sometimes I just get locked into a beer or a beer style and struggle to pull myself away; other times, it’s the taste that has left them on the shelf.  And occasionally – rarely – there is the forgotten stash as was the case with this year’s first Leftover, from Sharps in Cornwall.  Chalky’s Bite, a beer whose task it was as it says on the bottle blurb, ‘to create an English beer with the character, individuality and quality to stand along the Belgian greats’.  This prompts a number of questions, firstly, if it’s designed to be that good, why the heck is there any left, and secondly, woah! Taking on a beer is OK, but taking on all of Belgium’s finest is a bold – and erroneous – claim, surely?  I mean, where do you start?  Are we talking Lambics; brown ales, sour red ales, Trappist…?  Goal posts are useful, but not necessarily when they are larger than the pitch and moving. But the first question – ah, yes, a hidden stash?  I’m lucky enough to have a cellar in my house (it was, to use the marketing parlance) the ‘tiebreaker’ when deciding to buy a house that was at the time, ‘delapidated’ (thanks Dad, for that confidence boosting assessment).  Talk about getting your priorities wrong – whilstthere was no boundary in place between our house and the next door neighbour, whilst the old coach house at the back was structurally questionable, and whilst the drive flooded with even the merest drizzle, the previous occupants decided instead to paint every room à la Changing Rooms.  This, rather bizarrely, included painting the cellar in bold Adobe shades, inspired by the rustic hues of the native pueblo Indians of America’s Old West. In Staffordshire. The other rooms were far worse, but they were dealt with rapidly. The cellar to this day on the other hand, transports me to the Mesas and Buttes of Arizona.  But it’s damn fine for storing beer, wine, and books.  An even temperature all year round. It is, in short, the perfect Man Cave.

And it was here, tucked away between the rather empty looking wine rack, an old toaster and the deep freeze, that there lurked a partly broached case of Chalky’s Bite.  It was dated November 2012, but at 6.8% and bottle conditioned, that meant nothing. Particularly as the beer has apparently been matured for 3 months, so another 8 weeks won’t harm. I released the case from its jail and prepared the bottles for potation.  The first thing that struck me for a beer brewed with Wild Cornish Fennel was… well, the lack of fennel.  The other Sharp’s / Rick Stein beer – Chalky’s Bark – has ginger in it (Wild Cornish Ginger??) and whilst it isn’t strong it’s clearly there.  In this beer, the fennel seems to be more in the aroma – which frankly, is still slight – and also the texture, the mouthfeel.  There’s definitely a smooth, enveloping richness which the fennel seems to contribute to.  It’s also deceptively drinkable – a surprising light colour, I’d say a bright honey mustard would be about there, a decent crème fraiche coloured head and a taste that doesn’t drink it’s 6.8%. Perhaps a touch of extra aging has assisted in this regard.  Certainly, I’ll be doing a spring clean of the cellar to find more.

There was another Molson Coors beer, in fact two of the same from their Worthington’s Brewery on the National Museum site, slumbering down there as well – Red Shield. One was new carrying the new (‘old’) design which is pleasingly retro, and the other, that inspired by the old ‘copy heavy’ White Shield design. So again, probably a year between them and it would be interesting to compare the two.  Alas, both were disappointing.  For a beer with a moderate and moreish alcohol content, and a good dose of Bramling Cross hop, it promises much.   But the palate (in bottle form, I haven’t had draught for a while) is dominated by the Worthington’s yeast, with a tinny metallicness which unhinges its drinkability.  Bramling Cross should give properties of many of the enticing US hops, but sadly they are not generously given here.

Hoegaarden Grand Cru was next; there were only two, mislaid as I had laid them down in a wine rack. I’m not sure why I did this at the time – no corks to keep moist here, but equally no adverse effect either.  It’s a funny one Grand Cru; I certainly expect more of it, perhaps desiring greater difference with Hoegaarden itself, yet I always feel it’s an EPO fuelled version.  Dresses the same; looks the same in the glass and is clearly a very similar beer….just, performs better.  In fact, perhaps it’s more like Team Sky’s performance methodology, Grand Cru shows marginal gains across the piece – a thicker, creamier head with greater longevity, a denser body yet still with a that, almost orange shimmering, hue. And more cloves, more curacao orange character, more bananary esters.  Actually, no. It’s been doping. It’s the Lance Armstrong of beers – impressive, award winning, yet somehow with the suspicion lurking that something behind the scenes isn’t quite right.  Mind you, I had that second.

A couple of cans of out of date Bass and unbelievably John Smith’s, which didn’t make the cut and are now on slug prevention duty in the back garden.  Yet the exercise was enough to have me thinking ahead…planning next Christmas and in particular, the leftovers.

© David Preston, Beer Tinted Spectacles, December 2012